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Conceptual Art After Modernism

Conceptual Art After Modernism

Autor: Robert Bailey

Número de Páginas: 220

This study provides a new interpretation of art after modernism by foregrounding the importance of conceptual thinking as a pervasive force for change in art and art history since 1950. Robert Bailey shows how distinctions between art and art history gave way as conceptual thinking provided artists and art historians with a common means to reassess what art could be and do in the world. Bailey assesses the results of artful and scholarly inquiries combining creative activity with intellectual rigor to proffer new approaches to a variety of social and environmental concerns, ranging from questions about human identity—including race, class, gender, and sexuality—to activist efforts to redress everything from abortion access to migrants’ rights, to climate change. This book provides both a historical overview of these developments and close analyses of key works and texts, spanning 1950 to the present and encompassing broad geographic scope with special attention paid to Indigenous art. The book will be of interest to scholars working in art history and contemporary art.

Le mythe du progrès artistique

Le mythe du progrès artistique

Autor: Olga Hazan

Número de Páginas: 476

Dans cette étude historiographique approfondie, Olga Hazan analyse une des caractéristiques dominantes du discours de l'histoire de l'art : les notions de progrès et de déclin artistiques.

Biographical Memoirs of Fellows, X

Biographical Memoirs of Fellows, X

Autor: Ron Johnston

Número de Páginas: 301

Seventeen obituaries of recently deceased Fellows of the British Academy.

The Origins of Baroque Art in Rome

The Origins of Baroque Art in Rome

Autor: Alois Riegl , Alina Alexandra Payne

Número de Páginas: 294

Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.

Uncollected Writings

Uncollected Writings

Autor: Richard Wollheim

Número de Páginas: 369

Richard Wollheim's (1923-2003) was the leading voice in the philosophy of art in the Anglo-American tradition during the second half of the twentieth century. This volume serves two purposes. First, at the time of his death, Wollheim was composing a short book, comprising two lectures first delivered, respectively, at Barcelona and at Lawrence, Kansas--versions of which appeared in 1994 ('On Formalism and Its Kinds') and 2001 ('On Formalism and Pictorial Organisation')--plus substantial new material. The whole text is reproduced here for the first time. The material offers new considerations in favour of his psychological conception of pictorial art as against the semiotic conception, arguments for the inadequacy of formalism, and close and compelling analyses of pictures by Ruisdael, Monet, and others, using in novel ways his well-known ideas in pictorial aesthetics to arrive at a theory of pictorial organisation. Second, although Wollheim was well-served by various collections of his work to 1994, at that point some important articles and reviews had yet to be selected for republication--in some cases available only in locations difficult to access--as well as his having...

Drawing Distinctions

Drawing Distinctions

Autor: Patrick Maynard

Número de Páginas: 300

All kinds of drawings -- The course of drawing -- Drawing's resources -- The fullness of drawing.

Cahiers du Musée national d'art moderne

Cahiers du Musée national d'art moderne

Autor: Musée National D'art Moderne (france)

Número de Páginas: 556
Brilliant Effects

Brilliant Effects

Autor: Marcia R. Pointon

Número de Páginas: 444

Pointon examines how small-scale and valuable artefacts have figured in systems of belief and in political and social practice in Europe since the Renaissance.

Nietzsche, Henry James, and the Artistic Will

Nietzsche, Henry James, and the Artistic Will

Autor: Stephen Donadio

Número de Páginas: 376

This pioneering contribution to the history of modern ideas connects two commanding figures ordinarily considered worlds apart. Observing that philosophy and fiction are two activities which have 'always sustained and offered criticisms of one another,' Stephen Donadio sets out to explore the continuities of thought and feeling which link Nietzsche, a European philosopher whose work often appears to reflect a feverish attraction to extremity, and James, an American novelist commonly identified with decorous assertions of magisterial detachment. Moving beyond the boundaries of isolated literary and philosophical investigation, this wide-ranging study represents a breakthrough in our understanding of the relations between the phenomenon of modernism and the settled presuppositions of American imaginative life. Donadio points out the correspondences between the Nietzschean conception of the superman and more immediately familiar assumptions regarding American identity. In addition, he provides a compelling account of that moment in cultural history at the turn of the century which produced a radical new view of the relationship of art to life. Donadio shows that James and Nietzsche...

Akten des XXV. Internationalen Kongresses für Kunstgeschichte: Wien und die Entwicklung der kunsthistorischen Methode

Akten des XXV. Internationalen Kongresses für Kunstgeschichte: Wien und die Entwicklung der kunsthistorischen Methode

Autor: Hermann Fillitz , Martina Pippal

Número de Páginas: 132
Wien und die Entwicklung der kunsthistorischen Methode

Wien und die Entwicklung der kunsthistorischen Methode

Autor: Leopold David Ettlinger

Número de Páginas: 132
Artforms

Artforms

Autor: Duane Preble , Sarah Preble , Patrick Frank

Número de Páginas: 548

An introduction to the visual arts. By Duane Preble, Sarah Preble, Patrick Frank. 6th ed.

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