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Staging Politics in Mexico

Staging Politics in Mexico

Autor: Stuart Alexander Day

Número de Páginas: 198

Neoliberalism in Mexico - characterized by free markets, by the privitization of thousands of State enterprises, and by influence from Washington and Wall Street - has forever changed the political climate, making it necessary to theorize new paths for the future. Indeed, liberal ideology champions not only economic freedom but individual liberty as well: In the canon of liberal texts, Adam Smith's The Wealth of Nations coexists with John Stuart Mill's The Subjugation of Women, a biting commentary on gender inequality. The debate over neoliberalism in Mexico is not exclusively a left-right conflict. Many leftists see ties with the U.S. as a means to promote social change even though they oppose neoliberal economics; many on the right, while supporting neoliberalism, fear social influences from the North. This volume focuses on the neoliberal debate in plays by four Mexican authors: Sabina Berman, Vicente Lenero, Victor Hugo Rascon Banda, and Alejandra Trigueros. These playwrights stage the complexity of neoliberalism, providing insight into a global trend and its manifestation in Mexico. Stuart A. Chapel Hill.

Staging Words, Performing Worlds

Staging Words, Performing Worlds

Autor: Gail A. Bulman

Número de Páginas: 288

Staging Words presents new perspectives on Argentina, Cuba, Mexico, and Venezuela and their theater, by postulating that nation can be imagined and reconstructed through the deliberate performance of intertexts. The book shows how past artistic texts - other plays, stories, newspaper articles, songs, or paintings - can be manipulated and translated to create a new theatrical script, and that this new script can expose an innovative space for interpreting the nation. The introduction reviews theories of intertextuality, nation, and nationalism and applies them to Latin America. Each chapter studies two to three plays and shows how the intertexts open up hidden connections and border spaces within texts and between texts that the new writer and reader fill with significance, replacing the meaning of the pretext with their own. This new textual voice permits texts to be restaged, reconfigured, and imagined in a way that is purely Latin American.

Negociando identidades, traspasando fronteras

Negociando identidades, traspasando fronteras

Autor: Susanne Igler , Thomas Stauder

Número de Páginas: 284

Conjunto de miradas sobre el paisaje cultural mexicano en torno al nuevo milenio, con especial énfasis en la negociación de identidades y la trasgresión de fronteras geográficas, culturales y personales.

Textos para la historia de la literatura chihuahuense

Textos para la historia de la literatura chihuahuense

Autor: Ysla Campbell , María Rivera

Número de Páginas: 510
Mujeres y re-presentación en México

Mujeres y re-presentación en México

Autor: Lucía Melgar-palacios

Número de Páginas: 120

Los ensayos aqu reunidos examinan y cuestionan algunas de las representaciones culturales m s importantes de la mujer en M xico. Releer a la Malinche y Sor Juana a trav s de la lente del g nero permite a las autoras desmontar los mecanismos que inscriben a las mujeres en pante n de santas, locas o prostitutas. Reconstituir el cuerpo femenino maltratado o asesinado, desde su materialidad, experiencia, sexualidad y fragilidad, devela hondas conexiones entre la violencia social y la de la representaci n.

Mitología del narcotraficante en México

Mitología del "narcotraficante" en México

Autor: Luis Alejandro Astorga Almanza

Número de Páginas: 160

"Provocative study uses interviews and historical materials to support contention that both legal codification and folk songs serve to mythologize drug trafficking. Suggests that legal/political sector contributes to the myth by addressing drug trafficking in terms of good and evil, while corridos of drug dealers propagate the myth among the people, serving as a collective catharsis"--Handbook of Latin American Studies, v. 57.

Feminism, Nation and Myth

Feminism, Nation and Myth

Autor: Rolando Romero , Amanda Nolacea Harris

Número de Páginas: 204

Feminism, Nation and Myth explores the scholarship of La Malinche, the indigenous woman who is said to have led Cortés and his troops to the Aztec city of Tenochtitlán. The figure of La Malinche has generated intense debate among literature and cultural studies scholars. Drawing from the humanities and the social sciences, feminist studies, queer studies, Chicana/o studies, and Latina/o studies, critics and theorists in this volume analyze the interaction and interdependence of race, class, and gender. Studies of La Malinche demand that scholars disassemble and reconstruct concepts of nation, community, agency, subjectivity, and social activism. This volume originated in the 1999 "U.S. Latina/Latino Perspectives on la Malinche" conference that brought together scholars from across the nation. Filmmaker Dan Banda interviewed many of the presenters for his documentary, Indigenous Always: The Legend of La Malinche and the Conquest of Mexico. Contributors include Alfred Arteaga, Antonia Castañeda, Debra Castillo, Alicia Gaspar de Alba, Deena González, María Herrera Sobek, Guisela Latorre, Luis Leal, Sandra Messinger Cypess, Franco Mondini-Ruiz, Amanda Nolacea Harris, Rolando J....

Diálogos sobre el teatro

Diálogos sobre el teatro

Autor: Victor Hugo Rascon Banda , Emilio Cárdenas Elorduy , Carlos Montemayor , Luis De Tavira , Maria Rojo , Ignacio Solares , Rocío Galicia , Enrique Mijares , Jaqueline E. Bixler

Número de Páginas: 198
Rancho Hollywood y otras obras del teatro chicano

Rancho Hollywood y otras obras del teatro chicano

Autor: Carlos Morton

Número de Páginas: 164

Here for the first time are collected in Spanish three of the best-known plays of Carlos Morton, one of the most celebrated and widely produced Hispanic-American playwrights living today. Rancho Hollywood: SueÐo de California (translated by Iona Weissberg) pointedly satirizes film stereotypes of Latinos. Johnny Tenorio: Acto teatral chicano (translated by Eduardo RodrÕguez SolÕs) places the centuries-old Don Juan legend into a contemporary Chicano framework. And El JardÕn (translated by Manuel Martin, Jr.) presents nothing less than a comic riff on the biblical creation story, this time featuring Adàn and Eva. Generous, full-page illustrations throughout the text, taken from successful productions, make this volume not only a necessity for theater students and professionals, but a delight for all lovers of the Hispanic stage„or anyone who enjoys a sly laugh.

Teatro del delito

Teatro del delito

Autor: Víctor Hugo Rascón Banda

Número de Páginas: 284

Manos arriba, lado afable bullanguero de la obra rasconeana y nueva veta en el oficio narrativo del autor serrano: el humor, la ironía, el regocijo de atraparnos en la tranza diaria, en esa cadena de mentiras y asaltos en pequeño que forman nuestra relación social; La fiera del Ajusco, corrido dramático, donde el dramaturgo no es ni juez ni parte de la tragedia, solo testigo de la condición humana: y, Máscara vs. cabellera, entre la alegoría y el realismo, desborde lírico y onírico del teatro rasconeano. -- Fernando de Ita.

Y Mil Aventuras

Y Mil Aventuras

Autor: Mariana Frenk-westheim

Número de Páginas: 204

La autora nos transmite en este libro su regocijo por la vida, buen humor y tal vez, sobre todo, sensatez y cordura ante esta larga experiencia que le ha tocado vivir. Mariana Frenk escribió este libro cuando acababa de cumplir 97 años (hoy tiene 104).

Jarocho's Soul

Jarocho's Soul

Autor: Anita Gonzalez

Número de Páginas: 186

Brown-skinned men and women dance Jarocho across the cultural landscape of Mexican stages and festival grounds. Jarocho's Soul traces the development of an Afro-Mexican dance style and contrasts Mexican performance of mixed race identity with United States ethnic art performances.

The New Dramatists of Mexico, 1967-1985

The New Dramatists of Mexico, 1967-1985

Autor: Ronald D. Burgess

Número de Páginas: 188

In 1967 a group of young Mexican dramatists--most of them studying with Emilio Carballido--began staging plays, primarily in small, out-of-the-way theaters, and publishing them, mostly in university magazines with limited distribution. Burgess (Spanish, Gettysburg College) examines this generation of social dramatists in the context of contemporary Mexican society and literature. Annotation copyrighted by Book News, Inc., Portland, OR

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